Tuesday, September 13, 2011

Villages - Grey East (Hooker Vision, 2011)


"I love tranquil solitude" --Percy Bysshe Shelley

This quote kept coming to mind while listening to the latest release and first cassette from Asheville composer, Ross Gentry. These soundscapes epitomize the mature and lauded sounds of his contemporaries while succeeding in isolating his own sense of character and vision. Grey East is a recombination of all that has come before and all we've yet to see; a recording that exists on the plane of consistency.

Philosopher Gilles Deleuze posited that an idea dwelling on his plane of consistency, or plane of immanence, exists or remains within. This idea never transcends into a metaphysical beyond. This is a quality I hear and recognize as intrinsic with Villages' general repertoire. None of the pieces are overworked or forced. On the contrary, they emote a near static existence that seems almost aggressively opposed to transcendence. This is work that seems to consciously exist "in between". Perfect examples are his choice in closing sides, A4 "Opt Abysmal" and B3 "The Cryptids". These lengthy compositions buried in minimal nuance exist passionately between the lines, his isolation motif coming into fruition, all the while giving a glimpse into a future direction.

Most fascinating is his choice of track arrangement. Both sides begin with icy shimmering and cerebral etudes that seem to beckon the thaw but ultimately lead to a return of cold hibernation and an ultimate cryogenic state.

Side A with "Postpone Joy", "Mourninga" (brilliant and romantically schizophrenic treatments of vocalist Nathaniel Markham) and "Cemetary Lights" hints at drips from the stalactite before the north wind ices it over once again.

Side B attempts another exit strategy. "All the Bells Stopped" struggles to break free and the soft and slow yet driven guitar melody of "Front Street" looks to open the hatch. Unfortunately, transcendence is not seen. "The Cryptids" make [makes] sure of that. This number has a primal spirituality and sage-like tenacity only comparable to Lustmord. The mantra could have evolved ad infinitum as far as I'm concerned.

This is some of the most thought-provoking ambient music out there today. Beautiful and somber yet complex and well-defined, Villages is one to keep your ears on.

Get this tape Here (if its not sold out)

Excerpt of "Mourninga Here

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