Klaus Schulze, German Genius and Hero: An Early Work Primer

Today I just want to take a moment to talk about one of my musical heroes, Klaus Schulze. For most music nerds, a mere visit to his Wikipedia Page is enough to stop you in your tracks and fall on your knees. Here are some highlights from his early career: Started Tangerine Dream with Edgar Froese, founding member of Ash Ra Tempel (the first record from them being my ultimate kraut rock record) with Manuel Gottsching, the father of techno, created over sixty albums over five decades, most of which are pretty good, several of which are considered ambient masterpieces. This resume makes my head spin.

Anyway, I reviewed my favorite of his solo records, Mirage, a few years ago, so I just want to post links to some of my other favorites from him. This is simply a primer to his early work, everything after is hit or miss, as anyone would be over fifty years of making music. I hope you take the time to really dig in. It pays off!

From his debut album, Irrlicht, 1972:



From Cyborg, 1973:



From Blackdance, 1974:



From Picture Music, 1975:





From Timewind, 1975:





From Moondawn, 1976:

 



From the soundtrack to Body Love, 1977:



From Mirage, 1977:

Deutsche Wertarbeit - S / T (Sky Records, 1981)

After leaving Dusseldorf progressive rock band "Streetmark", Dorothea Raukes had one shining moment with this beautiful synth classic. A true diamond in the rough, Deutsche Wertarbeit has been re-issued and is sure to stoke the mental fires of synth nerds everywhere. Driving motorik, komische, avant garde and meditative pulses and rhythms populate this incredibly gorgeous one off release. Its quite a shame that this is the only release of hers in this style. If you dig Tangerine Dream or the Editions Mego / Spectrum Spools material, you'll will flip over Dorothea Raukes.

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GNOD Drop Out with WHITE HILLS II (Rocket Recordings, 2010)

A joint effort with some of the best psychedelic, komische, tripped out crazy krautrock you'll ever hear. These two outfits sound like Neu, Tangerine Dream and Cluster playing together in a very small room. Dizzying soundscapes behind dense motorik drumming. Too too too tasty.

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Klaus Schulze - Mirage (1977)

A stunning piece from a still underrated pioneer. Beginning his career as drummer for Tangerine Dream and leaving in 1970 to found Ash Ra Tempel, Schulze has made an indelible mark on Ambient and synth based music in general. Everyone in these genres has been incredibly influenced by his work. With over 60 solo albums he still strikes an occasional chord with me on albums to this day.

Utilizing analog synth, non-modular Moog, Farfisa and Mellotron and experimenting with strange electronic samples accompanied by a doom-like bassline, this is easily his darkest and best album. Lush atmospheres created here are reminiscent of Eno's Ambient 1 or Apollo. A warm and hypnotizing journey through 70's avant keyboard dreaminess.

The liner notes say it all:

"Music is a dream without the isolation of sleep. In fact whilst listening to music, your ego is living. But your universal ego, your principle watchs of your self ego is taking a new level of participation, the dream is reality because your are living the dream and your dreams control your reality. The supreme reality is creativity (all kinds of art) which takes you back to your mental origins. The musical theory is perfection, sometimes never obtained. The concept is a mental reaction, the process of movement and change, the basis of mankind. Music is the background to a mental picture, but the exact interpretation must be made by the listener, hence the music is only half composed and the listener himself should attack the composition to gain a mental repercussion. The listener has to add the meaning. The principles of music are to make the listener powerful and happy to endure our dying planet like by using their own creativity and being aware of emotion."

Schulze is a god. Eno got most of the credit.

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