Wednesday, June 24, 2015
Hip hop is alive. well and more interesting than ever. For real. Queens rapper Homeboy Sandman dropped this album nine months ago and I'm just now getting around to recommending it. Shame on me.
With difficult, educated, and challenging rhymes, he embodies a sort of verbal psychedelia that is few and far between in the rap world these days. His sense of reflection and light hearted-ness is both honest and refreshing. Intelligent, savvy and hip, both the lyrics and production make fun of you, me and him. The joke's on us all.
"I'm a vegan but they never stop callin' me big cheese."
Sunday, April 5, 2015
The decade long evolution of Villages (William Ross Gentry) has been a fascinating one. It's been a privilege to watch this personality unfurl. At an impressive fifteen releases, each has growth that is very apparent, one that is indicative of hard work, and a discerning ear.
His initial offering, the lovely and delicate "The Last Whole Earth" in 2010, seems homage to his heroes, a cold yet delicate droning piece that calls to mind artists such as Eno, Stars of the Lid, and Labradford. As his palatte refined, Villages moved in a less ambient / drone direction. At each moment, there is a subtle maturity. The Spilling Past showed leaps and bounds in production, Theories of Ageing sees a shift, not only to cinematic frontier, but a more rhythmic direction with clean piano, acoustic guitar, and banjo, signifying an attempt to distinguish his motif as an accessible music separate from the drone genre. He escaped the pigeon hole only to be dubbed "Appalachian Drone" by several writers.
With "Procession Acts", the ten year oeuvre seems to reach a pinnacle of emotion and individual characteristics. with a production excellence that would inspire all who make music themselves.
If you're a fan of classical music, you know that often it is possible to recognize imagery and incidents the writer was contemplating during the creative process. Gentry's subtleties and nuances are full forward, and he wears his influences on his sleeve: Jonny Greenwood, Cliff Martinez, and Nick Cave & Warren Ellis scores, Type Records artists such as Peter Broderick and Goldmund, western guitar drone and blues from Steven R. Smith to Mississippi John Hurt. All of these elements combine to make a perfect album, and the culmination of an excellent repertoire.
Beginnings in Dust
Devouring the Whole
Tell the Butcher
Coat of Arms
Pillars in Half Light
Open in Reverse
Out of the Mines
Endings in Rust
Purchase your copy from the wonderful Bathetic Records HERE. Vinyl will go fast!!!
Stream on Spotify HERE.
Listen to a mix he made of his influences for the latest album HERE
Saturday, February 7, 2015
The music world will never stop lamenting the loss of one of the best beat makers / producers hip hop has ever known. A stellar musician loved by all, and one even now recognized by the Smithsonian Institute. His MPC will be on display soon.
Happy Dilla Day!
Friday, January 23, 2015
Today I just want to take a moment to talk about one of my musical heroes, Klaus Schulze. For most music nerds, a mere visit to his Wikipedia Page is enough to stop you in your tracks and fall on your knees. Here are some highlights from his early career: Started Tangerine Dream with Edgar Froese, founding member of Ash Ra Tempel (the first record from them being my ultimate kraut rock record) with Manuel Gottsching, the father of techno, created over sixty albums over five decades, most of which are pretty good, several of which are considered ambient masterpieces. This resume makes my head spin.
Anyway, I reviewed my favorite of his solo records, Mirage, a few years ago, so I just want to post links to some of my other favorites from him. This is simply a primer to his early work, everything after is hit or miss, as anyone would be over fifty years of making music. I hope you take the time to really dig in. It pays off!
From his debut album, Irrlicht, 1972:
From Cyborg, 1973:
From Blackdance, 1974:
From Picture Music, 1975:
From Timewind, 1975:
From Moondawn, 1976:
From the soundtrack to Body Love, 1977:
From Mirage, 1977:
Saturday, January 3, 2015
This is one of the most beautiful modern classical recordings I've had the privilege to hear. John Luther Adams composes lush, sparse and epic tales of our relationship with nature. This sounds simple, but the complexity of his musical narratives are stunning, and this is his finest work. In fact, for this piece, he just received the Pulitzer Prize for Music.
I recently discovered Adams on Q2 Music's Meet The Composer podcast, a program that is beginning to feel essential for me. I encourage you to explore it for yourself.
Listen to folks getting all emotional about things here:
And stream the full piece here:
Please visit his website for more information on other recordings as well: http://www.johnlutheradams.com/