Saturday, February 7, 2015
The music world will never stop lamenting the loss of one of the best beat makers / producers hip hop has ever known. A stellar musician loved by all, and one even now recognized by the Smithsonian Institute. His MPC will be on display soon.
Happy Dilla Day!
Friday, January 23, 2015
Today I just want to take a moment to talk about one of my musical heroes, Klaus Schulze. For most music nerds, a mere visit to his Wikipedia Page is enough to stop you in your tracks and fall on your knees. Here are some highlights from his early career: Started Tangerine Dream with Edgar Froese, founding member of Ash Ra Tempel (the first record from them being my ultimate kraut rock record) with Manuel Gottsching, the father of techno, created over sixty albums over five decades, most of which are pretty good, several of which are considered ambient masterpieces. This resume makes my head spin.
Anyway, I reviewed my favorite of his solo records, Mirage, a few years ago, so I just want to post links to some of my other favorites from him. This is simply a primer to his early work, everything after is hit or miss, as anyone would be over fifty years of making music. I hope you take the time to really dig in. It pays off!
From his debut album, Irrlicht, 1972:
From Cyborg, 1973:
From Blackdance, 1974:
From Picture Music, 1975:
From Timewind, 1975:
From Moondawn, 1976:
From the soundtrack to Body Love, 1977:
From Mirage, 1977:
Saturday, January 3, 2015
This is one of the most beautiful modern classical recordings I've had the privilege to hear. John Luther Adams composes lush, sparse and epic tales of our relationship with nature. This sounds simple, but the complexity of his musical narratives are stunning, and this is his finest work. In fact, for this piece, he just received the Pulitzer Prize for Music.
I recently discovered Adams on Q2 Music's Meet The Composer podcast, a program that is beginning to feel essential for me. I encourage you to explore it for yourself.
Listen to folks getting all emotional about things here:
And stream the full piece here:
Please visit his website for more information on other recordings as well: http://www.johnlutheradams.com/
Wednesday, December 31, 2014
I am absolutely in love with this record. I was going to write about it but I accidentally read Boomkat's review and realized it perfectly encapsulated all my thoughts regarding it:
"‘Block Boundaries’ is the new album from minimalist composer Ryan Teague, building on his previous releases for Type, Sonic Pieces, and current label Village Green. Inspired by the theme of Psychogeography, the record fuses acoustic instrumentation with electronic and processed material, taking the listener on a hallucinogenic Ballardian journey through from the thrumming urban activity of New York, Amsterdam and London. Brooding opener "Site & Situation" sets the tone with hypnotic guitar and mallet chimes, emotive cello swells and surging bass synth, 'Last Known Position' comes on like a lost Tangerine Dream jam session, spiraling arpeggios and oscillating pulses, while 'Liminal Space' introduces driving percussion around mesmeric synth pulses and a shimmering piano progression. Closer 'End Of The Line ' brings the journey to an end in an introspective mood - a wavering synth figure cut against wistful drone washes that fade into the distance. 'Block Boundaries' is a masterful achievement of melody, form and texture that rewards more with every captivated listen and will assuredly secure Ryan Teague's place alongside his acclaimed contemporaries such as Nils Frahm, Jon Hopkins, Emeralds and Hauschka."
Yeah, I don't know if you're a fan of J.G. Ballard's work but, for my money, ya just can't beat a "Ballardian" journey through anywhere.
Block Boundaries from Leona Kadijević on Vimeo.
Friday, December 19, 2014
The music of Psychonaut 4 has just about everything black metal could possibly offer: midtempo rhythms, classic blasts, downtempo shoegaze infusion and tremelo riffs. Graf, the vocalist, even comes equipped with onstage self-mutilation and bloodletting (assuring DSBM authenticity), and has an interesting hybrid of all three waves of black metal lineage. As the band hails from the nation of Georgia, there is even an accordion track steeped in traditional Russian folk music. This is a raw feeling album that has a studio quality. I think it's a nice package.
Since the cassette was released on a very underground Ukrainian label, good luck finding it. In the meantime, enjoy the streams below: