To "cut pure human states" and produce "the most extreme music ever recorded" was the mission William Bennett had in 1980 with his power electronics act "Whitehouse". When industrial bands like Throbbing Gristle and SPK began to calm the storms within, Bennett took his intentionally vile, lecherous and abrasive sound and visual to new heights, disturbing all who witnessed it.More than 30 years after the inception of Whitehouse, a new project emerged, one light on the noise but heavy on the listening experiences of tastefully aged pair of ears. Cut Hands is a tribute to Bennett's interest in Congolese and Ghanaian persussion. These polyrhythmic African drum sounds are slathered in industrial reverb and complimented by delicately placed ambient textures, drones and even orchestral feeling electronics. All of these elements work incredibly well, creating a surprising groove with a full range of emotion. All this and Bennett's tactically cerebral expertise continues to shine through, never betraying his original essence.
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