Anybody remember art pop? Well, this guy does and his debut self-released album is throwing me a curve ball. I'm hearing this at a time when I'm obsessed with bizarro world artists like Blank Dogs, Gary War and the more experimental Zola Jesus. Teepee has elements of these artists but succeeds in nailing his own brand of outsider art music.
He melds junk synth drones and simple drum machine spines with heavily processed electric guitar resulting in an immensely washed out hallucinogenic journey. He's not limited to that either. Some tracks are lovely and clean acoustic guitar, others sound like tape experiments and in some you'll even find emotional, americana-esque qualities reminiscent of Kurt Vile. This is a candy store for those opposed to genre boundaries. He offers No wave, new Wave, post-punk, darkwave, shoegaze, synth pop, punk, americana and a little John Cage for good measure.
If you're familiar with Electric Bunnies or Melted Sunglasses, it will make sense to you that he is a member of both outfits. I'm most impressed with the quality recoding for something with such a "lo-fi" feel. And, there is a genuine honesty in his music. No pretense here. This is a diamond in the rough of the current scene. Get it now before all the hipsters are on board. Don't let them ruin this for you!
Get Morals HereAnd get the vinyl here
Blancmange formed in Middlesex, England, 1979, is Neil Arthur and Stephen Lunscombe. They recorded this short run EP of synth pop, eastern rhythms and no wave aesthetic. The simplicity of this release makes it beautiful. Its a light-hearted romp through laidback yet dancey, goofy yet elegant off kilter pop. 
Swiss band Grauzone was one of the most creative bands of the post-punk era. Most people will never know who they are because they only recorded one album and some singles. This is a shame. They had it all: rock, disco, synth-punk and pop, all with a genuine approach that really connects emotionally. The recording is meticulously approached. Too mature for a band that was together so briefly. You're gonna thank me for this one.
Anybody remember art pop? Well, this guy does and his debut self-released album is throwing me a curve ball. I'm hearing this at a time when I'm obsessed with bizarro world artists like Blank Dogs, Gary War and the more experimental Zola Jesus. Teepee has elements of these artists but succeeds in nailing his own brand of outsider art music. 
Awww, there's just not much cuter than a couple Goth kids in love. Toby and Shiloe Grave retired their brutally depressive Blessure Grave project (sadly) and lightened up with Soft Kill. Apparently, the couple describe this record as "an open dialog love letter in song form". Its Death Rock, Post-Punk and New Wave all in one tidy package. 
Luis Vasquez has crafted an engaging retro 80's tribute album....sort of. He's a one man band who incorporates Post-Punk, New Wave, Shoegaze, Goth and some early Cure. Quite the perfect sound for me.
Matt Hill's clan of Goblin worshippers and John Carpenter / Dario Argento film junkies are back with a new score for the euro-horror film that never was. This time they've changed the formula. Now, we're hearing a soundtrack as played by an 80's New Wave band with an expensive Giorgio Moroder habit. Incorporating Krautrock, Komische and minimal synth-driven fear and suspense, this outing is deployed predominantly by authentically produced keyboards and keytars. Its retro-innovative and very convincing but just as you get lost in the intensity, the campy elements leap out at you, once again bringing a smile to your face. If you enjoy the sounds of 70's horror and suspense (particularly low budget outings), I'm sure you'll dig this.
