Friday, December 20, 2013
Each winter I seek out new records that fit that certain special mood. You know, dark and beautiful, foreboding yet hopeful, somber but bright. It looks like Camella Lobo's first release after going solo (Juan Mendez aka Silent Servant stepped down earlier in the year) is that record for me this season.
One characteristic my winner must have is that Faith / Pornography / 17 Seconds era Cure vibe. Well, the records starts off with just that. Sort of an 'All Cats are Grey' homage. From there it probably gets compared to Zola Jesus on the 'Stridulum' EP's most mellow and subtle cuts. One lovely aspect is how she uses her vocals as more of an instrument than an attempt to convey meaning. I prefer to think of this as an instrumental record because the music does stand alone. The slightly atonal guitar lines remind me of Blessure Grave, the bass is straight Simon Gallup, and the drum programming is just classic with a bit of tribal thrown in for good measure.
2013's good time goth platter.