Tuesday, November 13, 2012
The techno world has been intertwining with the drone world for some time now. Artists that made a name for themselves with the former, now make the latter, and vice versa. For years, Andy Stott made lovely dub techno / house tracks in that 90's Basic Channel / Chain Reaction vein. The international repute only began last year after the release of a couple EP's (We Stay Together and Pass Me By), which he released on Modern Love, a great label with the likes of Demdike Stare and Vatican Shadow. What he did on these releases was shocking. Stott began experimenting with all the traditional elements, slowing the rhythms to 100 bpm, and twisting each aspect of the melodies underneath crippling bass rumbles. Thus, he began making "bass music".
The EP's were experiments that led up the the newest album, which is a culmination of all those ideas, and a masterfully executed one. The opening track is simply the angelic vocals of Stott's former piano teacher, Allison Skidmore. They are effected and layered and set the stage for the entire recording. Throughout Luxury Problems, these vocals are pitted against low frequency bass rumbles, tasteful kicks and snares, and synth elements so subtle, it would take you several listens to even notice.
The haunting, melancholy, and pensive environments Stott creates are brilliant. Finally, someone has taken this genre to a new level, a place I didn't think it could go, a proper evolution. And he's from Manchester... Go figure.
Read full review of Luxury Problems (Second Edition - Emerald Vinyl) - ANDY STOTT on Boomkat.com ©