
"The album was recorded by Steven Stapleton and his wife Diana Rogerson in May 1988. The only sound source was a number of effects units which he had set up to operate in a feedback loop - there was no original input signal being processed, simply the feedback hum generated by plugging the original chain of pedals back into itself. However, when Stapleton went near the pedals he found the sound changed in accordance with his proximity to the various pedals and units. Stapleton told author David Keenan (in the book England's Hidden Reverse) that he had created the album by gently moving his fingers above the various units to create the slow, subtle changes in the sound. As this shouldn't happen, Stapleton has put the album down to an electrical fault of some sort in the studio. This was acknowledged on a later reissue with the credit "our thanks to Electricity for making this recording possible". He remains proud of the album, describing it to Keenan as "fucking brilliant". The album title refers to Stapleton and Rogerson's daughter Lilith who was born that year." -- from Wikipedia
Get pt. 1 here
Get pt. 2 here
Get pt. 3 here
Hi,
ReplyDeleteLovely blog you have here my friend! While browsing along, I stumbled upon your post on NWW : Solliloquy For Lilith is also my favourite piece. For a while, I used to fall asleep each night with it playing in the background. I soon quit this habit : too strong a stuff for my brain!!!
interesting music,thanx from argentina
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