Showing posts with label Hip Hop. Show all posts
Showing posts with label Hip Hop. Show all posts
Wednesday, June 24, 2015
Homeboy Sandman - Hallways (Stones Throw, 2014)
Hip hop is alive. well and more interesting than ever. For real. Queens rapper Homeboy Sandman dropped this album nine months ago and I'm just now getting around to recommending it. Shame on me.
With difficult, educated, and challenging rhymes, he embodies a sort of verbal psychedelia that is few and far between in the rap world these days. His sense of reflection and light hearted-ness is both honest and refreshing. Intelligent, savvy and hip, both the lyrics and production make fun of you, me and him. The joke's on us all.
"I'm a vegan but they never stop callin' me big cheese."
Labels:
Hip Hop,
Rap,
stones throw
Saturday, February 7, 2015
Happy Birthday Jay Dee!
The music world will never stop lamenting the loss of one of the best beat makers / producers hip hop has ever known. A stellar musician loved by all, and one even now recognized by the Smithsonian Institute. His MPC will be on display soon.
Happy Dilla Day!
Labels:
Beats,
Detroit,
Hip Hop,
Instrumental,
Rap
Thursday, January 23, 2014
Young Echo - Nexus (Ramp, 2013)
This is another record I regret slipping past me in 2013. The Bristol collective Young Echo is comprised of several artists with stellar output in the past couple years. Vessel's 'Order of Noise' made my best of 2012, Zhou makes meditative drone, Khan is a respected dubstep producer and the other members, El Kid, Jabu, Neek, Manomars and Ishan Sound have managed to make names for themselves.
Its no coincidence that this album has the Wild Bunch scenario, given that these kids obvious work in that Tricky / Massive Attack tradition. The general aesthetic is the blunted downtempo of their metropolitan mentors. However, Young Echo is deconstructivist. The dancefloor is broken. Beats are fodder for cutups. The hip hop and bass are buried beneath drones, spoken work, ethereal female vocals and frequencies on par with a Raster Noton album. The ghosts of Nurse with Wound and Boyd Rice are here, remixing for some cerebral nonexistent club, a place where sci-fi 2-step co-mingles with dub and introspective pop.
Elements collide, float together, fall apart and fade away, but ultimately, and surprisingly, cohesion is victorious.
Monday, November 5, 2012
Parallelogram #003 - % split w/ Galapagoose (Cassette, 2012)
Galapagoose is Melbourne, Australia resident Trent Gill. His side is comparable to Felix', in that it has a similarly bright and slinky beat vibe, and incorporates subtle and quiet spoken word.
As far as I'm concerned, this is the future of hip hop. These are the most captivating beats I've heard in quite sometime.
Purchase HERE
Labels:
Broken Beat,
Cassette,
Hip Hop,
Synth
Saturday, September 22, 2012
Fat Boys - S/T (Sutra, 1984)
Its been a Fat Boys kind of week. I walked into the record store and there was a vinyl copy of Crushin'. The next day a friend was wearing a Fat Boys T-shirt, and later another friend posted on Facebook that he was watching "Disorderlies", the classic Fat Boys movie from 1987. This really got me nostalgiac. One of my first tapes was "Fat Boys". I remember taking my walkman to school in 5th grade and letting friends listen to it. It made me feel cool. I also had a tv-dubbed copy of Disorderlies that was watched so many times, it wore out.
Prince Markie Dee and Kool Rock Ski rapped and Buff Love aka Human Beat Box provided the beats. Alongside Doug E. Fresh, Buff was a pioneer of beatboxing. This is an old school classic, referenced by many later acts like Boogie Down Productions, Jeru tha Damaja and Jay-Z.
They were originally called The Disco 3 when they won a talent show at Radio City Music Hall. Word spread that they ate constantly. Recognizing that they were overweight, their producer Kurtis Blow suggested they embrace it and change their name to Fat Boys. When the debut record was released, it sold 200,000 copies and became the most requested radio jam in NYC.
Unfortunately, the 450 lb. Buff passed away in 1995 of a heart attack. And, even sadder is that last year the remaining two members played the annual gathering of the Juggalos. Regardless, this is a cool album.
Here's a song about them getting thrown in jail for stealing pizza.
Get it HERE
Monday, March 19, 2012
808s and Dark Grapes II - Main Attrakionz (Type, 2012)
The Oakland Duo of rapper/producer Squadda B and rapper MondreM.A.N. make spacey downtempo hip hop that a few years ago was affectionately dubbed "cloud rap", a sub-genre which hybridizes the most current rap beats with shoegaze and 90's Houston purple drank feel. Alongside this is a lazy and laidback vocal flow reminiscent of cool Philly vibes and classic good time summer tracks. You may be familiar with some of their contemporaries: Lil' B, Clova, Odd Future and Havoc. These performers have been on numerous mixtapes together.Type has finally issued the best document of their work on vinyl. It shows them at the height of their game and also showcases the talented beat junkies Clams Casino, Friendzone, Marlee B and Keyboard Kid.
Get it Here
Wednesday, February 8, 2012
Dr Who Dat? - Beat Journey (Lex, 2006)
This is the alter ego of Jneiro Jarel from Shape of Broad Minds. His previous solo material is more Delia Derbyshire-centric, but here he moves into heavy baselines, sweet soulful melodies, and Jazz & Afro-Brazilian Fusion, creating an individualized retro-futurist and sedating hip hop sound. In the Flying Lotus vein, without all the schizophrenic wonky business.
Get it Here
Labels:
Hip Hop
Tuesday, February 7, 2012
DJ Screw - 3 'n the Mornin' Pt. 1 and 2 (Bigtyme Recordz,1995-96)
Robert Earl "DJ Screw" Davis, Jr. was a Houston, Texas (or "Screwston" as its now often referred to) hip-hop DJ and "The Originator" of the Chopped and Screwed technique. Davis was recognized for his hundreds of mixtapes, slowing down the basic tracks of popular national and regional songs, so that they would meld with his love for the purple drank, a habit that unfortunately caught up with him too early, dying of a codeine overdose at 29 years old.
Slow ya Roll right HERE
Saturday, August 6, 2011
Flying Lotus - Thundercat (Mixtape, 2011)
Wow, this is... wow. The man can mix and his selection of cuts by the bad bass player himself, Thundercat, is just...wow. Hip Hop, Jazz, Funk and Soul are well represented here. Chill out, slow down and dig this. Righteous.Get it Here
Labels:
Avant-Garde Jazz,
Hip Hop,
IDM,
mixtape,
Soul
Monday, June 13, 2011
Clams Casino - Instrumental (Mixtape, 2011)
So its official, a Hip Hop producer has jumped on the Shoegaze bandwagon. That's right, the man who has been bringing beats for Lil B, Main Attrakionz and even Souljah Boy is all up in your cerebrum with some dreamy, blissed out tracks that are sure to leave you feeling euphoric. This is a summer jam for sure.
Get It Here
Labels:
Hip Hop
Wednesday, February 9, 2011
Fuck NoOoOO: The Anti-Witch House Tape
Get It Here
Labels:
Hip Hop,
Witch House
Wednesday, December 29, 2010
Al Lover - Safe as Milk Replica (2010)
My man Alex just whipped up a sick MPC remix tribute to Don. This is fucking brilliant. Don't sleep on his blog either. He regularly posts Free downloads of original material as well as nice dj mixes.Get It Here
Al Lover blog
Labels:
Hip Hop
Tuesday, December 14, 2010
Gil Scott-Heron - I'm New Here (2010)
I was skeptical. I thought it would be impossible to feel any impression from this album at all. Minutes into my first listen I knew I had judged prematurely. Its been 16 years since his last studio album. After spending much of the last decade behind bars and continually battling drug problems, it seems he decided it was time for a collection of redemption songs.
His distinct voice is weathered and raspy these days. This combined with Richard Russell's Post-Hip Hop / Post-Industrial beats, Folk / Blues guitar and delicate string arrangements results in a production that is as diverse as it is creative.
With his classic mixture of spoken word and singing, he covers a lot of ground. Oddly enough, there are times when he even reminds me of a very serious and intense Ken Nordine.
As far as the subject matter, we hear him paying homage to the women in his life that taught him how to be a man, reminiscing on a childhood in a broken home, regretting the sheer hardship of existence itself as well as attempting to instill genuine hope in the listener.
The staunchly militant aggression has faded away, leaving the core of a man who is merely reflective and still bent on helping his fellow man, woman and child.
Get It Here
Or:
Labels:
Apocalyptic Folk,
Blues,
Experimental,
Hip Hop
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